The literature of Dante Alighieri, Petrarch, and other Italian writers filled the home and had a profound influence on Rossetti's subsequent writing. Their residence was available to Italian intellectuals, artists, and revolutionaries who came to visit. These visitors included Benvenuto Cellini, Michelangelo, Galileo, Machiavelli, and Guicciardini. They brought with them new ideas and innovations which they shared with Rossetti and her friends.
In addition to being interested in the classics, this young Englishman loved music and poetry of all kinds. He attended concerts and recitals with his wife and took an active part in them. His own poems were inspired by music and dedicated to women he loved. Like Dante before him, Rossetti used poetry as a way to express himself and have an impact on others.
Dante Alighieri is considered the father of modern literature because of his important role in the development of European poetry. His influence can be seen in the work of Petrarch, Boccaccio, Chaucer, and Shakespeare.
She was a romantic poet, creating poetry that was influenced by the stylistic features of the romantic era. Rossetti mostly composed poems for youngsters. However, he also wrote some for adults. His work appeals to all ages because of his use of simple language that is easy to understand.
Rossetti's poetry is known for its vivid imagery and emotional power. The characters in his poems are always in the midst of some kind of struggle; they are usually unhappy with their lives and look for ways to change them. This inspiration comes from personal experience. Rossetti felt isolated from others because he was born with deformed feet; this made him feel different from everyone else. He also had an unhappy marriage!
However, despite these challenges, Rossetti found ways to express himself through art. He started painting at a very young age and eventually became one of the leading artists of his time.
Rossetti's paintings are known for their bright colors and dramatic subject matter. They reflect his own feelings of sadness and loneliness but also hope and joy.
He spent most of his life in London but went on many trips abroad because of his job. During these travels, he visited countries such as Germany, France, and Italy.
Dante Gabriel Rossetti (11 May 1828–9 April 1882) was an English poet, illustrator, painter, and translator who was a member of the Rossetti family. With William Holman Hunt and John Everett Millais, he created the Pre-Raphaelite Brotherhood in 1848. Rossetti is best known for his paintings and poems about the medieval poet Dante.
He was born in London to Mary Diall Thompson and William Rossetti, a wealthy importer and exporter of cotton goods. His parents' marriage was unhappy, and he and his two siblings were mainly raised by their mother after the death of his father when he was nine years old. He showed an early interest in art, and at the age of 14 his mother sent him to live with her sister, Elizabeth Gisborne, in Gosport. There he learned to draw from photographs and spent much of his time visiting museums and churches near by. At the age of 19 he returned to London where he worked as an artist's model and attended the Royal Academy of Arts while developing his own style. In 1847 he married Lizzie Siddal, a young widow with three children; the marriage ended in divorce in 1868. In the same year he began work on his most famous poem, "The Inferno", which took him seven years to complete. In 1875 he married again, this time to Janey Van de Velde, who helped support the couple through periods of poverty.
Rossetti's more critical comments on her brother's creative approach find voice in her 1856 poem "In the Artist's Studio." The work is a lament for a young woman who has died, but its power comes from its criticism of both William and himself.
It was written during one of their periodic quarrels and contains some scathing remarks about his method of composition. For example, she accuses him of copying things out of books and using them as inspiration for his own poems; also of relying too much on luck in choosing images and subjects for his paintings.
She concludes by saying that he is not an artist, but "a great deal more," and that his talents should be used for something better than decorating church walls.
Christina was married to John Everett Millais at the time this poem was written. They had just one child together, a son named Michael. When John Everett Millais became famous, he enjoyed celebrity status along with his wife. People often asked Christina about her husband's work, and she usually gave simple answers such as "he is a good man" or "he is very talented."
But she never praised him openly, and when someone else did, she quickly changed the subject.
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