He imagined visual artworks as poetry in their own right, and his own writings as paintings. Whitman attempted to recreate the vividness of visual art in text, and his organization of Leaves of Grass mirrored the cerebral and emotional stimulus of an exhibition setting. His experimentation with form and technique influenced later poets including Hart Crane and Allen Ginsberg.
Whitman was a major force in bringing about a revolution in how poetry is conceived of and written. Before him, poems were seen as words on paper or stage that might have aesthetic value but had no independent existence apart from what was written on them. In contrast, he proposed that poems were actual events that took place in time and space, such as the Battle of Agincourt. He also believed that every experience has an associated emotion that can be expressed through poetry. For example, he wrote about grief because people were too afraid to talk about love.
His ideas spread across Europe and America, helping to create a culture where poetry was seen as important, relevant, and legitimate.
Whitman's work pre-dating modernist movements by more than 100 years has made him influential in establishing standards for modern poetry. He is regarded as one of the founders of modernism because of his emphasis on subjectivity, imagination, and expression over formal constraint.
Whitman expresses this metaphorical meaning using several literary strategies in "Miracles," including imagery, metaphors, and his point of view. He uses imagery that is visual, audible, and even tactile to deliver his message. For example, he begins the poem with a picture of heaven and earth as a couple and then compares their love to that of a mother and child. As another example, he describes the feeling of pain as if one were "drinking from a cup" or "eating pie." Finally, he tells us that we can "feel the great orb's pulsation" when it moves across the sky at night.
Whitman also uses metaphor to explain what cannot be expressed in words. He does this by comparing two things that are different but have something in common. For example, he says that stars are worlds just like ours but far away. This means that stars are planets like Earth but they are too far away for us to visit them directly.
Finally, Whitman uses our perspective to explain what happens after we die. He does this by describing death as an invisible line that separates life from art. This means that there is a difference between living people and dead people because only dead people can see themselves as images in a painting or sculpture.
Whitman picked his idealized self as the topic of the book, constructed the style in which it was written (worked hard and wisely to master the style over a six or seven-year period), and built the personality of the proletariat bard—the ostensible author of the poems. All this he did between 1855 and 1881.
He started writing the poems in March 1855 and finished them six years later on June 1, 1861. He published them first in a newspaper called The Brooklyn Daily Review from November 1855 to October 1860, and then in a magazine called The Lippincott's Magazine from January 1861 to May 1864. He also published some poems separately up until 1881. The total number of lines in the complete collection is about 2000; however, since many of the poems were reprinted in other books during Whitman's life time, that number may have increased somewhat.
In order to write such a large scale work, you would need at least three years of constant effort. However, since he also had a job and took care of his house and child, he probably didn't have enough time to write all these poems. According to one estimate, he wrote one poem every third day for two years in a row. That's almost half a poem every week!
However, even if we assume that he spent only ten hours a week writing, it would still have required more than two years.
Whitman's goal as a poet was to portray the experiences of the average man and woman by borrowing from the language of persons from all walks of life and combining slang from the streets and diverse professions. Nonetheless, his poetry was rejected by the illiterate and semi-educated audiences for whom he wrote. Thus, he felt compelled to simplify his language even further by using only English words with which most people were familiar.
In addition to simplifying the language, Whitman also experimented with different styles of writing. His aim here was to appeal to as many readers as possible so that his poems would be read and appreciated by everyone. One of these styles was called the "drawl", which meant writing in a slow, monotonous voice often used by poets while they worked on their poems alone. The other style was called the "squeak", which meant writing quickly and easily with little attention to grammar or punctuation.
Slang is the informal language used by people in daily life. It begins as soon as children start talking and doesn't really stop until they reach adulthood. Slang includes common nouns (things like cars, trucks, buses), verbs (actions like drive, walk), adjectives (descriptions like black and white), adverbs (words that describe other words like slowly), and pronouns (the words we use when referring to ourselves or others like him/her).