Langston Hughes was the only black Renaissance writer who grew enamored with jazz; he imbued his poetry with the sounds and sentiments of the blues—its improvisational nature, syncopated rhythms, and repeating phrases—creating a forceful challenge to the existing quo. Of particular importance is the relationship between jazz and the African American experience. The most significant aspect of this relationship is that both jazz and the blues reflect and influence the black mood. Just as the blues express the pain and loneliness of being black in America, so too does jazz capture the violence and unpredictability of black life in modern society.
Hughes was born into a wealthy family in Joplin, Missouri, but he often felt like an outsider due to his dark skin. He began writing poems at the age of eleven and soon became obsessed with Shakespeare and other poets from Europe. Unlike many black people at the time, he went to college and earned a degree in literature from Columbia University. After graduating, he moved to New York City where he became one of the first black journalists for Time magazine.
Hughes developed a close friendship with Duke Ellington, whose music influenced many young artists back then. It was through Ellington that Hughes heard about a new musical genre called jazz, which at the time had no name. Inspired by the lyrics and melody of traditional songs, jazz musicians use their own improvised techniques to create new songs that grow out of the previous one.
Langston Hughes, a key poet of the Harlem Renaissance, was heavily affected by blues and jazz sounds and customs. He emphasizes that all of the best blues artists have been "communicating for money" by playing, and that this has in no way harmed their talent.... He also says that most jazz musicians he knows spend too much time drinking beer and not enough time on their music.
Hughes was particularly influenced by Bessie Smith, who was one of the first female jazz singers. He writes that she had an amazing voice and knew how to use it to the fullest extent possible. She would often perform up to 15 songs in a single evening show, and her style was so unique that it has never been copied since her death in 1937 at the age of 34.
Hughes also mentions Louis Armstrong, Duke Ellington, and The Mills Brothers as some of his favorite jazz artists.
Overall, Hughes' poetry contains many references to music, and he often uses lyrics to comment on social issues such as racism or poverty. It can be inferred from these comments that music played an important role in helping him express himself, and without it he would have found it difficult to get his ideas across.
He was the first poet to incorporate black music rhythms. Hughes established himself as a prominent writer in 1996 with the publishing of "The Weary Blues," a collection of jazz poems. Hughes composed the poems in a Harlem bar where blues music was playing. He had never heard the song "The Weary Blues" but felt moved to write about its rhythm. In addition, he used this occasion to praise Negroes for their courage and strength of character.
Hughes wanted to prove that black people could use English to express themselves artistically. He also intended to show that Negroes were not limited to one role in American society. Finally, he hoped to encourage other blacks to write poetry. "The Weary Blues" was an enormous success and has been translated into several languages. It made Langston Hughes famous all over the world.
Even though "The Weary Blues" is considered his masterpiece, Hughes published more than 20 books during his lifetime. Many of them are still in print today and have been adapted for stage performances and movies. His stories and essays have earned him two Nobel prizes: in 1964, he was awarded the Nobel prize for literature, and in 1973, he was given the Nobel prize for peace after working hard for racial equality between blacks and whites.
In conclusion, it can be said that Langston Hughes was a successful author who became famous all over the world.
Langston Hughes was a key player in the Harlem Renaissance, a flowering of black intellectual, literary, and creative life that occurred in a number of American cities, notably Harlem, in the 1920s. Hughes was a prominent poet who also authored novels, short tales, essays, and plays. His work focused on racial issues including black pride and identity, white oppression, and black-white unity.
Hughes was born into a wealthy black family in Joplin, Missouri. He received some education there but left for New York City when he was 18 years old to pursue a writing career. There, he became friends with many other young artists as well as poets such as Jean Toomer, Carl Van Vechten, and Arthur Huffman. He married Mary McLeod Bethune in 1925 and had three children. The marriage ended in divorce in 1930. Bethune went on to become a leader in women's rights and civil rights activism.
In addition to being a writer, Hughes worked various jobs to support himself including serving as an editor at a newspaper during this time. In 1926, he published his first collection of poems titled The Weary Black Man which included poems about his experiences as a black man in America.
This book was followed by several more poetry collections, most recently I Wonder As I Walk Along (1971). Many of his poems were also turned into songs and performed by musicians like Duke Ellington and Louis Armstrong.