2. Key concepts: The poet Agard's experiences are referenced in the poem. It's a theatrical monologue that seems like a discourse about non-European history: the poet instructs the reader on his "history." This is important to understand because it means that even though this poem was written in 1730, many of its ideas were still being discussed hundreds of years later in the 20th century.
3. Answers: Yes, checking out your history is a dramatic monologue. It's a quotation from Shakespeare's As You Like It: "What's past is prologue; what's future, scene." In other words, what happened earlier is important for understanding what's happening now and what will happen later on.
4. Quotation marks: Dramatic monologues usually use quotation marks to indicate that they're not actual conversations but rather poetic speeches or scripts.
5. Verses: Many dramatic monologues are presented in poems or plays.
This poem is written in the form of a dramatic monologue; the entire poem is uttered by a single character, the identity of whom is revealed by his own words. The lines are written in blank verse, or unrhymed iambic pentameter, which gives Ulysses' speech a flowing and spontaneous character. This style of writing is commonly used for speeches because it allows the speaker to develop their thoughts without interruption from other characters or elements outside of the poem.
Dramatic monologues are usually spoken by one character alone, although others may enter the scene stage left or right. These additional characters often serve to highlight certain aspects of the main character's psyche by comparing them to different traits shown by other people. For example, in "Ulysses: A Monologue by Homer" the character of Ulysses is compared to various other people who have lived before him to show how their lives have influenced him. Similarly, in "Hamlet" Prince Hamlet discusses his feelings toward his father with himself and his ghost, thus creating a dual role that shows both his mental state and his desire for revenge against Claudius.
Other characters may also speak parts of the monologue line, especially if they are important to the story. For example, in "Oedipus the King" Oedipus speaks most of the lines but sometimes leaves gaps between sentences for the other characters to speak.
Robert Browning is widely regarded as a master of the dramatic monologue style, if not the first to "inaugurate [the first] to complete this literary form." The speakers in Browning's dramatic monologues reveal his inner thoughts and feelings, which is why they are considered as soul studies.
Here is how one critic describes Browning's contribution: "As a rule, Browning's poems are no longer than thirty lines, and usually contain eight or ten rhyming couplets. But within these limits he manages to convey an extraordinary range of emotion and thought. He can write about love lost and found, hatred, jealousy, desire, despair, hope, life, death, and the afterlife. His poems are remarkable for their energy and vitality. Even when dealing with serious subjects, they always have something light-hearted about them."
Some critics believe that Shakespeare stole many of his ideas from Browning. However, others argue that it is just a coincidence because both men wrote about the human soul using poetry.
The classic example of a dramatic monologue is "My Last Duchess" by Robert Browning. It was first published in 1837.
"Checking Out My History" was written by John Agard, a British Guyanese poet, and was originally published in the book Half-Caste in 2005. The poem focuses on the gaps in British colonial education, namely the absence of major characters from African, Caribbean, and indigenous history. Using these missing links as "historical evidence", the speaker concludes that racism has been an integral part of the English society for many years.
The dramatic monologue is a dynamic form in which a poet can have the pleasure of incorporating character and dramatic irony into a composition. In its simplest form, the dramatic monologue is one speaker talking to himself or herself. But as with many forms used by poets, it can be used to refer to much more than just one speech; for example, two or more speakers can address the audience directly or through fictional characters.
Dramatic monologues are common in poetry readings and solo performances by poets. They allow the poet to explore different aspects of his or her personality and to show the changing emotions that arise when discussing something as personal as their life story.
These speeches often deal with difficult topics such as suicide or abortion. However, because it allows the poet to express himself or herself freely, there is no restriction on what kind of topic can be discussed in a dramatic monologue. Some examples include: war, love, hate, religion, politics, etc.
Often times, dramatic monologues are based on real events in the poet's life. For example, Carl Jung wrote about his own experience with psychoanalysis in "The Way of Psychoanalysis" series of essays. E.E. Cummings also incorporated elements of his own life experience into some of his poems.
What does the poet mean when he says, "Give me my sense of history"? "Grant me my understanding of history," Agha Shahid Ali says, implying that there is no singular history and that history, like fiction, may be viewed from a variety of perspectives. He goes on to say that giving this question some thought can help us understand more about ourselves and our world.
Ali was an American-born Pakistani poet, essayist, literary critic, and academic who spent most of his life in Pakistan. He won the Nobel Prize for Literature in 2012. The poet has been called the "poet of multitudes" because of his ability to express universal truths with great passion and conviction while being mindful of the diverse cultures and languages of the many countries where he has lived and taught.
Here are some examples of how others have interpreted his work: "Agha Shahid Ali's poetry is as much a part of our contemporary moment as it is historic. By exploring the tensions between tradition and modernity, east and west, man and woman, young and old, he offers unique insights into the human condition." - Susan Sontag
"... what makes Agha Shahid Ali's poetry so special is not only its timelessness but also its willingness to confront the major issues of our time head-on." - Jorie Graham
Dramatic narrative poems are a type of poetry that has a storyline and recounts a tale. Poems in this genre might be brief or long, and they can describe a complicated tale. These poems frequently employ the voices of characters and a narrator, and the plot is generally expressed in metered verse. Many dramatic narratives deal with love, but others cover other subjects as well.
Dramatic narrations are poems that tell a story using language designed to make the reader think and feel. The story may be fictional or based on history (or both). No matter what kind of story it is, a dramatic narration should always keep the reader interested so that he or she does not put the book down unfinished.
Some examples of dramatic narrations are Romeo and Juliet, A Tale of Two Cities, Huckleberry Finn, The Raven, The Scarlet Letter, The Lord of the Rings, Crime and Punishment, Anna Karenina, The Great Gatsby, Heart of Darkness, Moby-Dick, Don Quixote, Manichaeism, and Zoroastrianism. Dramatic narrations can also be found in novels, such as George Bernard Shaw's plays. And finally, dramatic narrations appear in collections of short stories, such as Charles Dickens' classics including A Christmas Carol, Scrooge, A Christmas Tree, and A Ghostly Gentleman.