Ezra Pound's Imagist poem "In the Station of the Metro" was published in the literary journal Poetry in April 1913. It was included in his collection, Homage to Sextus Propertius.
The poem is about the experience of waiting at a subway or train station, and all that can be done in that time. It has been called a "metaphysical" poem because of its focus on reality rather than passion or emotion. It uses images and facts from the everyday world to explain what it means to live in a modern world where knowledge is accumulated but not always shared. The speaker describes the city as a place full of movement and noise but also peace and quiet since no one speaks of love or hate.
Pound used information from books and newspapers to create this work of art. He selected facts and figures that would appeal to a modern audience while still being interesting and relevant to the overall theme. For example, he mentions that there are more women than men working in coal mines because of the high death rate for males so women can marry higher up the mining ladder.
Subway stations were becoming popular places for artists to display their work so this poem was no exception.
The poem is Pound's written counterpart of the discovery and deep emotion he had at the Concorde station of the Paris Metro. The poem is mainly a collection of pictures that bear an uncanny resemblance and represent the unique mood that Pound was experiencing at the time. The poem can be considered as a diary entry where Pound expresses his feelings about life, love, and nature through images.
Ezra Pound was a British poet who lived from 1885-1972. He is best known for his revolutionary work with language which included innovative use of metre and syntax. His poems are often difficult to understand but this only adds to their power.
Pound was born into a wealthy family but he lost his father when he was still young and then his mother died too. This left him with no support system and so he decided to move abroad to study. He went to live with his aunt and her husband who were artists in Italy. It was here that he began to write poetry seriously.
He returned to England and started his own magazine called "Poetry". This lasted for six years during which time he published many of his works including Hilda Doolittle. In 1908, he founded the literary journal "The London Magazine". This became one of the most popular magazines of its time and helped establish him as a major figure in modern literature.
Pound's approach of reducing thirty lines to fourteen words exemplifies Imagism's emphasis on language economy, imagery clarity, and experimentation with non-traditional verse forms. It is estimated that this poem was written in early 1913.
Boris Pouncov (or Pound) was a Russian poet who moved to London where he became associated with the Imagist movement. He introduced many readers to modern poetry by editing a journal called "The Egoist". This journal published work by Eliot, Moore, Aldington, and Richard Aldington's wife, Dorothy. In 1911 Boris Pouncov joined up with these poets and other friends to form the Imagist movement. They believed that images were more powerful than words alone and so tried to use as few words as possible while still getting their point across.
This poem is written in a style called "Verse Essay". This type of poem uses evidence from daily life to explain what is going on inside the mind of the poet or someone else. These poems are different from normal poems because they don't have any rhyme or reason to them and sometimes include excerpts from letters, journals, etc.
In this case, the scene at the concourse of the Paris Metro serves as evidence for what Pound was thinking about himself and his relationship with others.
"In a Metro Station" is a haiku (also written "hokku"), a classic Japanese nature-image poem of exactly 17 syllables. Pound's haiku is 19 syllables long, with 12 in the first line and 7 in the final. Keene's is 17 syllables long, also with 12 in the first line and 7 in the last.
Being in a station at the Metro is very different from being in a forest or by the sea. There are no trees or mountains here, just hard surfaces to stand on or sit on. The noise from the traffic overhead is constant. People walk quickly through the station looking at their watches or phones rather than enjoying the view. There are no quiet corners where you can stop and listen to the sounds around you.
But what if we change how we look at this situation? What if we try to see everything that happens here as part of a larger pattern? What if we stop focusing on what we cannot control and start seeing how much we can influence even these mundane events?
The first thing to say about being in a station at the Metro is that it is extremely busy. There are many people going about their daily lives who have not noticed that a poet has written some words on a piece of paper. They will never read them, nor would they want them to.
The title also specifies the setting of the poem, which is one of the most important aspects we're looking for. The tone is also evocative of a period when they didn't have to worry about the perils of the inner city. For residents in the inner city, the tone suggests a kind of trained helplessness. There are lots of examples of this tone used by Whitman to describe the urban experience.
What is the tone in "When Lilacs Last In The Dooryard Bloom'd"?'
This poem has a very lyrical tone. It's not like Whitman when he wants to get serious so it must be done with care. He uses a more intimate style of language which gives the feeling that what he's saying is coming from his own personal experience.
Whitman describes the lilac as if it were someone he knew and it makes him think of other flowers that grow in the city garden such as roses and violets. Then he compares the lilac to the heart whose beatings sometimes can be heard long after its last breath was taken. This shows us that even though the city may be dangerous, there is still beauty to be found if you look hard enough.
What is the tone in "I Sing The Body Electric!"?'
In this poem, Whitman tries to explain why he feels the need to go to the city.