Personifications in Shakespeare's Sonnet 18 include the winds, the blossoms, summer with its "license," the sun, nature, death, and the poem. These objects are all shown to have a will of their own by being given human qualities.
The sonnet is about love and it begins with the poet asking what type of love it is that causes someone to look like an object such as the wind or a blossom. He then goes on to say that this love is so powerful that it can cause other things to want something too - in this case, the wind wants freedom to blow wherever it wishes and the blossom wants to be kissed by the sun. This shows that love is strong enough to cause other things to want something too.
Sonnets 15 through 17 were all written by Shakespeare about one woman. In these sonnets he complains to her about how she has caused him pain by loving another man. However, in Sonnet 18 he changes course and starts writing about other things that he sees around him such as the wind, the sun, and flowers. This shows that even though he is still thinking about her, there are other things going on in his mind too.
Shakespeare was only about 50 years old when he wrote this sonnet.
Personification is key in the construction of this famous sonnet because it allows the speaker to personify both the sun and death as he advances his argument for why comparing his beloved to a "summer's day" is an insufficient and erroneous analogy. The poet begins by saying that "the sun hates the shade," which some scholars believe refers to the fact that the sun beats down on the trees in the summer and they want no part of it, while others think it has more to do with poaching since trees were used to conceal illegal activities back then.
But whatever the case may be, here is where Shakespeare takes advantage of our understanding of solar power today to explain how the sun affects love. He first says that the sun hates the shade because it wants nothing more than to warm up its inhabitants (us) by giving out its own heat. Then he goes on to say that like the sun, death also wants to do us harm but only succeeds in warming and softening our hearts when we least expect it. In other words, death can't kill love!
Shakespeare uses many images and metaphors to describe love at first sight. Some of them are very romantic (such as "true love") while others are not so much ("a lightning bolt from heaven"). But regardless of whether you see such things as blessings or curses, love is something that everyone needs in their lives.
Sonnet 18's imagery includes personified death and strong winds. The poet has even gone so far as to call the buds "darling" (Shakespeare 3). Death supervises "its shadow," which is a metaphor for "afterlife" (Shakespeare 11). All of these behaviors have something to do with people. > span> Death takes away its beauty by killing its creator, just like humans kill off their beauty by aging and dying. The wind is another force that kills; it can blow people away or scatter their seeds. It is this idea of death being a part of life that makes sonnets 18 and 19 such good companions.
The wind represents nature, but it also stands for war. It is estimated that this sonnet was written around 1597-98. Spain and England were at war during this time.
The first image is that of death. We know from other poems by Shakespeare that he was interested in this topic. For example, he mentions death several times in Sonnets 1-8. This sonnet is about how death takes away everything that matters to us: love, beauty, youth.
The second image is that of the wind. It is said that wind is sinuous breath, and it lives within us all. It speaks of our emotions, and it can be cruel or gentle depending on what direction it comes from. The wind is a powerful force that can move mountains or destroy cities. However, it can also be used to bring peace or calm after a storm.
The third image is that of the sun. The sun is our source of light and heat. It is said that it gives life to everything it touches. This sonnet is about how death follows life. The sun goes down every night and wakes up again in the morning.
Sonnet 18 is one of the most well-known of the 154 sonnets written by William Shakespeare, an English playwright and poet. In the sonnet, the speaker wonders if he should compare the young man to a summer's day, but he observes that the young man possesses traits that beyond those of a summer's day. Thus, it can be inferred that the man is indeed unique in his own way.
The sonnet was probably written around 1598 or 1599 and is included in a collection of 154 sonnets called "Shakespeare's Sonnets". It was published along with seven other sonnets in 1609. The sonnet is composed in iambic pentameter, a type of poetic metre that has five pairs of metered lines. It begins with a rhyming couplet followed by a tercet consisting of three quatrains followed by a final rhyming couplet.
The poem is thought to have been written about a young man who the speaker wishes to compare to a summer's day. However, unlike what many believe the man does not represent the beauty of youth but rather the uniqueness of him alone. This can be seen in the opening line where the speaker asks himself if he should compare the young man to a summer's day. However, he then goes on to say that despite being similar, they also have differences that make them incomparable.
It can be assumed that the man is a friend or relative of the speaker.