The Road Not Taken has very little alliteration (the use of the same sound or letter at the beginning of subsequent words). The only example I could find came at the conclusion of the second verse's middle line: "wanted wear." Alliteration is used by poets to enhance the rhythm and tone of their poems. It can be done by using synonyms that start with the same sound or spelling words that are close together on the page.
In short, yes, "The Road Not Taken" uses alliteration to make the poem more interesting to read.
The assonance in the first line, emphasizing the "o" sound in "roads" and "yellow," the alliteration in the third line of the second stanza with "wanted wear," and, within this same line, the personification of the road: "it was grassy and wanted wear" are some poetic devices included in "The Road Not Taken." Then he resigned. He didn't like fighting in his conscience, so he went home.
One literary device used by Byron is hyperbole. Using this device, authors can make their stories or poems more interesting by using words that don't actually exist. For example, in order to make his story more exciting, someone who writes a crime novel could say that the gun he is writing about is as big as a house or that its bullet can cut through steel. In "The Road Not Taken", Byron uses both assonance and alliteration to make his poem more interesting. Assonance occurs when two similar sounds are repeated within a short distance of each other while alliteration involves words that start with the same letter. For example, in the first line of the poem, you can hear how the letters "o" and "u" are repeated together.
Byron also uses personification in "The Road Not Taken". This means that parts of animals or objects are given human qualities. For example, in this case, the road is seen as a person who wants to fight but will not be won over easily.
The content of "The Road Not Taken" appears formal, moralistic, and American on first reading, and this has made all the difference. These three lines, which conclude the poem, are its most renowned. They have become something like a motto for those who write about life after death.
Their origin is somewhat mysterious. One story says that they were written by Robert Frost while walking along a country road in Massachusetts. Another says that he found them written on a piece of paper attached to a tree near his home town of St. Louis, Missouri. Still another claims that he got them from a sign posted at the entrance to a cemetery where members of the local clergy were buried.
Whatever their origin may be, these three lines have come to symbolize the choice we all have to make in life: to follow the path that has been laid out for us or to create our own future.
They also represent the beauty of simplicity and humility. Frost was only 38 years old when he died in Boston, Massachusetts. Yet he had already achieved widespread recognition as a poet. The fact that he left no children means that his work will continue to be read and appreciated for many generations to come.
Frost was a professor of English literature at Boston University. But he spent much of his time writing poems.