Imagism was an Anglo-American poetry trend in the early twentieth century that stressed accuracy of imagery and crisp, sharp language. It is regarded as the first structured modernist literary movement in the English language and gave modernism its start as a poetry style in the early twentieth century. Imagists included H. D. Thoreau, Ezra Pound, William Carlos Williams, and T. S. Eliot.
They were influenced by the French poets Arthur Rimbaud and Paul Verlaine, who had both championed imagery as the highest form of poetic expression. The Imagists themselves were mainly London-based writers who met regularly at tea shops or bars to discuss literature. Eliot was the leader of this group and is considered its founder. Other well-known members include Ezra Pound, Charles Olson, Wallace Stevens, and Louis Zukofsky.
Pound pioneered the use of experimental techniques such as automatic writing and sound poems in order to express himself more freely through images. He also coined the terms "imagism" and "canto mode." William Carlos Williams wrote on a number of different subjects including nature, human experience, and politics using simple diction and concrete metaphors and phrases. His most famous poem is "The Hawk in the Rain".
Eliot's work focuses primarily on humanity's relationship with God and eternity.
Imagism was a Modernist sub-genre focused with producing vivid pictures through crisp words. Imagism, like the rest of Modernism, tacitly opposed Victorian poetry, which bent toward narrative. In this regard, Imagist poetry is akin to Japanese Haiku in that it is a concise portrayal of a poetic moment.
However, unlike Haiku, which are generally limited to 17 syllables or less, Imagist poems can be any length. Also, while Haiku are generally considered to be unrhymed, Imagist poets such as William Carlos Williams and Ezra Pound used all kinds of metrical variations to create music out of language.
In addition to its visual nature, Imagism also shares with Modernism a rejection of the Romantic concept of genius and a focus on process over product. Like other Modernists, the Imagists valued experimentation over orthodoxy and believed that great art could only come from within oneself. Finally, Imagism's emphasis on picture clarity vs. plot development is also shared with other Modernist movements such as Cubism, Dada, and Surrealism.
Although Imagism began in America, it spread across Europe, where it influenced many young poets, including T. S. Eliot, James Joyce, and Virginia Woolf. Imagism even has its own school which was founded by George Herbert in England and Ezra Pound in America.
A poetry movement in the twentieth century that advocated free verse and the presentation of thoughts and emotions via clear and exact pictures. Sentences Using Other Words from Imagism Find out more about imagism. Here are some more example sentences.
Imagism is a term used to describe a style of poetry that emerged in the early 20th century. The leading figure in this movement was William Carlos Williams, who is often called the father of modern poetry. Imagists rejected the traditional sonnet as well as other formal constraints such as rhyme and meter. They also generally rejected symbolism as an effective tool for expressing emotion.
In contrast, Imagists such as Williams believed that images were useful but limited tools for expressing emotional experience. Thus, they sought alternative methods for doing so. One method they employed was what they called "sound-image relations". These are words or phrases that have no literal English translation because they cannot be accurately represented by mere letters on paper. Examples include "buzzing like a bee", "crackle of burning wood", and "twang of guitar strings".
Another technique used by Imagists was what we might call "thought experiments". A thought experiment is a piece of writing in which the author assumes the role of a scientist conducting research studies on human behavior.
Any of a group of American and English poets whose literary agenda was developed about 1912 by Ezra Pound in collaboration with fellow poets Hilda Doolittle (H.D.), Richard Aldington, and F.S. Flint and was motivated by T.E. Lawrence's critical ideas. The Imagists were among the first to use simple, direct language, eliminating unnecessary words and using archaisms where modern equivalents do not exist.
Their influence can be seen in many later poems, including those of Robert Frost and William Carlos Williams. But it is also evident in the work of several twentieth-century poets, most notably Louis Zukofsky and John Ashbery.
The Imagist movement began as a reaction against the complicated syntax and rich vocabulary of traditional Victorian poetry. Pound and their colleagues wanted to write about one subject for a long time without using any adverbs or adjectives. This aim led them back to the medieval French troubadours for inspiration because they could say everything with just two lines!
They also opposed academic poetry, which they saw as dull and empty of meaning. Instead, they advocated for poetry that was intuitive, responsive to reality, and had a direct connection with ordinary people.
Imagism is therefore a very American phenomenon.
Pound's Language, Rhythm, and Rhyme Rules This was the basic goal of imagism: to create poems that condensed what the poet wanted to say into a clear and vivid image, to compress the poetic statement into an image rather than complicating and decorating it with poetic techniques like meter and rhyme. The aim was to write poems that were "as plain as the nose on your face."
In addition to this, Pound also advocated for impersonality in art. He felt that true artists should be able to produce great works even if they knew themselves to be alone in the world, without friends or family. This belief led him to claim that there is no such thing as bad poetry, only bad versification.
Finally, Pound wanted to break with the tradition of writing poems within certain formal structures. Although he included regular stanzas in many of his poems, he also used prose passages, lists, and random images. By doing so, Pound hoped to find new ways of expressing himself that had not been done before.
Imagism was not exactly a school, but rather a movement within modern poetry. Other poets who were influenced by it include William Carlos Williams, Louis Zukofsky, Elizabeth Bishop, Robert Creeley, and John Ashbery.
Imagism can be considered one of the earliest examples of experimental and contemporary poetry.
Imagism's Ground Rules That is, the poetry should deal directly with what is being discussed rather than using fancy words and phrases to do so. Use no words that add nothing to the presentation. Make use of as few words as feasible. Compose to the beat of the musical phrase, not the metronome's rhythm. Organize in order to express emotion rather than reason or logic. Write about what you know.
These rules were first set forth by Ezra Pound in a magazine article published in 1912. He called his approach "imagism", a term that has since been adopted by other poets who have copied its methods.
Pound based his ideas on the work of John Keats, George Herbert, and Samuel Johnson. His goal was to find a way of writing that was both accurate and economical. In doing so, he hoped to force himself to be more creative by limiting the amount of vocabulary available to him.
In addition to being concise, imagists try to write about things that they know something about. This means that they will usually use real-life examples from their own experiences when writing poems. The more specific they can be, the better. For example, a poet could write about how a particular song makes them feel without having to describe the entire experience as far as music goes. They could also choose to use only parts of their experience when creating poems.