A short, deliberate allusion to a historical, mythical, or literary person, place, event, or movement. T. S. Eliot's classic lengthy poem The Waste Land is packed with references. Many readers consider it one of the most allusive poems in English literature.
Eliot often hid references in his work by placing them within quotations. These quotations are called "allusions." By doing this, he was able to mention various topics without quoting large sections of text.
In addition to hiding references, poets have used allusions for other purposes. An author could use their control of language to create illusions about what is actually happening in their story. For example, a poet might use an obscure word that only certain people know how to interpret, thus creating mystery and suspense while still keeping the reader intrigued.
Finally, poets use allusions to connect their work more deeply with their audience. They do this by referencing works that are important to the history of art, music, and literature, among others.
Eliot was well aware of the importance of allusion in poetic meaning. In fact, he referred to himself as an "allusionist" because he felt that everything in his work had multiple meanings.
Allusions are stylistic elements that are used to assist contextualize a tale by referring a well-known person, location, event, or literary work. These allusions do not have to be explained clearly; most writers prefer to leave readers to fill in the spaces. However, some readers find these elements important for understanding the story.
Allusions can be made through simple comparisons. For example, when Frodo tells Sam that he must carry on without him, he is making an analogy between himself and King Arthur. Since Arthur was a legendary king, it is safe to assume that many people would understand Frodo to mean that he is as famous or more famous than Arthur. In this case, the analogy helps readers understand why Frodo cannot go with Sam into Mordor.
More complicated allusions use historical figures or events but change them slightly so readers will recognize the reference. In C. S. Lewis's The Lion, the Witch and the Wardrobe, Narnia is a magical land that lives inside a wardrobe in a great castle. On one occasion, four children from London find their way to Narnia. As they are traveling through the woods, they come across two talking animals: a lion and a witch. The witch casts a spell over the children that makes them sleep until Christmas Day. When they wake up, they realize that it is Christmas morning and they are in Narnia.
How does the lengthy metaphor in Julia Alvarez's poetry "Exile" impact the poem's theme? It highlights the speaker's rage at people who abandoned the land. It stresses the speaker's family's relocation. It fosters the idea that swimming in unknown waters is risky. And it shows that losing one's home is worse than dying.
The meter of this poem is iambic pentameter. This means that each line contains five pairs of metered syllables: an unstressed syllable followed by a stressed syllable. Thus, the overall effect of iambic pentameter is that it sounds like one long, continuous sentence. Many scholars believe that this type of meter was developed in the 15th century for use in court proceedings and official documents.
Alvarez uses alliteration to highlight important words in her poems. In this case, she uses two similar letters at the beginning of lines three and four to indicate that they are strong words that should be pronounced loudly. Also, she uses rhyme to end many lines with a pleasant sound or feeling. Rhyming words or phrases in poems show that you can use them as quotes.
This poem is part of Julia Alvarez's collection of poems entitled Exile. The book was published in 1993 by Alfred A. Knopf Books for Young Readers.