It is a figure of speech in which an inferred comparison is drawn between two dissimilar items. The entire poem is a long metaphor for a supernatural topic, a reference to Christ's death and sacrifices via the life and adventures of the mariner. The ancient mariner is a name given to the captain of a ship who survived a violent storm at sea. Although he was not actually alive when Jesus died on the cross, his story reminds us that even though we will die, our lives do have significance after we pass away.
Another way to look at it is that the poem is a collection of short metaphors. Each stanza begins with a verb followed by a noun: "To see - great sight; to hear - loud music;" and so forth. This is how poets have been doing metaphorical writing since before Christ. It is easy to fall into this habit myself when I write poems!
Finally, the poem can be seen as a series of questions that probe our minds to seek answers about God and heaven. Many people think of metaphors as being used to explain difficult concepts or ideas, but this is only half true. Metaphors are used in all forms of literature from simple poems like "The Rime of the Ancient Mariner" to novels and speeches before Parliament. They help us understand things that might otherwise be hard to grasp.
A metaphor (from the Greek "metaphora") is a rhetorical form of speech that explicitly compares one thing to another. While most metaphors contain the pattern "X is Y," the term "metaphor" is wide and can occasionally be used to cover other literary terminology, such as similes. Metaphors are important in creative writing because they can help establish tone, point of view, and theme.
The metaphor for a story is simple: it's a line. A writer constructs a metaphor by choosing two objects that are similar but not identical—for example, a horse and its rider—and comparing them together at some point during the narrative. The comparison may be explicit or implicit; it may be made visually (a rider on a horse) or verbally (the horse is bad-tempered). But whatever way the comparison is made, it creates a link between the two objects that reveals something about their relationship.
For example, if the writer chooses horses and riders, this choice makes clear that the story will deal with conflict between them. It could be a love story, a war story, a mystery story—anything considered within the context of storytelling. But no matter what kind of story it is, it's likely to include elements of conflict between characters who have differences that need to be resolved.
A writer often uses more than one type of metaphor in a single story.
A metaphor (pronounced meh-ta-for) is a popular figure of speech that compares one thing to another that is unrelated. The writer or speaker compares two unrelated but not identical objects, and the listener realizes that it is a comparison rather than a true equation. Metaphors are used extensively in literature and speech to make abstract concepts more concrete and to enhance understanding.
The metaphor is probably the most powerful tool in a writer's arsenal. Used properly, it can add great depth and richness to your prose while avoiding tedious explanations. It can also reveal truths about the subject that you might not have thought possible.
Consider the following example: "Your face looks like a mud flap! Why would anyone want to wash a car with you?" This is a metaphorical statement that compares someone's appearance to an object that gets washed with a car. The author is saying that no one should be expected to use soap on their vehicle's exterior when there are better options for washing cars - like a car wash - that use clean, fresh water instead of dirty gas-powered detergents.
Even though the phrase "mud flaps" is not commonly used today, most people understand this analogy. And that's exactly why it was chosen here. By comparing her victim to a mud flap, the author is able to explain why she killed him without getting into detail about how he looked inside or out of his home.
The metaphor here is more than linguistic resemblance; it is an element that transcends language restrictions and elevates the rood to the level of poetic figure. The poem's metaphor is the cross itself, because the cross pushes viewers to perceive a new universe. In modern terms, we could say that the cross functions as a visual cue telling readers or listeners that something profound is about to be revealed.
In addition to this explicit reference to Christ on the cross, there are several images in the poem which some scholars believe allude to him as well: stars at night, roses, lilies, and myrtles all have symbolic meanings within Christianity but also within classical poetry generally. Together, these elements create a metaphorical landscape full of rich meaning beyond what can be explained simply by comparing them to one another. They tell us that death is overcome, life is victorious over destruction, and love is eternal even though the lovers will one day be separated.
As you read this poem, ask yourself these questions: What does the root mean? What does it stand for?