Shakespeare personifies death by declaring that he will never claim his beloved, that they will never die but will live on in his heart. He then grants her "life" through the poetry, declaring she will live forever on the page.
Personifications in Shakespeare's Sonnet 18 include the winds, the blossoms, summer with its "license," the sun, nature, death, and the poem. These objects are all shown to have a will of their own by being given human qualities.
The sonnet is about love and it begins with the poet asking why love is deemed unworthy of attention until it ends up destroying those who embrace it. He then goes on to question whether love can be trusted since it is so unpredictable. Finally, he asks if love is really worth all this pain when it turns out that nobody escapes it.
Sonnets 1-17 show how love is beautiful but also how dangerous it can be because none of us are immune to its effects. Summer loves is wild and wooly but also delicate and fragile. It can burn up like the wind or freeze like the flowers. Love can also deceive us because we think something is true love only to find out later that it wasn't real to begin with. This is why Sonnet 18 focuses on different aspects of love to see if it is truly worthy of all this attention.
Love is personal yet universal at the same time.
What does the speaker intend to immortalize about the woman in Sonnet 75? Why does the speaker tell his sweetheart in Sonnet 75 that their "love shall live"? The speaker believes that by enabling future generations to read about their love, he will immortalize it. This sonnet is similar to Sonnets 18 and 42 because they both discuss how their loves will survive them. However, while these other sonnets focus on specific ways in which their loves will live on after they are gone, this sonnet simply states that their love will live on through history.
Their love will live on through history because people will still be reading about it hundreds of years from now. Humans have always been curious about other people's lives; we want to know what kind of person they were and what kind of impact they had on others. Writing about your experiences is a great way to preserve those memories for future generations. This idea is behind many famous poems, songs, and stories that remain important today. For example, Thomas Gray wrote "The world is too much with us," which is often used as an excuse not to engage with our surroundings, but it could also be interpreted as saying that his friend's death was so tragic that it will always be remembered even though they were only human.
Sonnet 75 also deals with immortality because humans cannot die forever. We will one day stop breathing and cease to exist.
Sonnet 55, one of Shakespeare's most renowned phrases, emphasizes the poet's sonnets' longevity against the forces of disintegration through time. The sonnet builds on the preceding stanza's concept, in which the author compared himself to a distiller of truth. Now, however, the poet declares that even though he has brought the juice of myrtle into wine, it is still "my blood that runs within these walls" (55). He continues by asserting that although the mortal coil will someday fall away from his body, his poetry will remain immortal because it was produced by his mind and not his flesh.
The last line of Sonnet 55 is often interpreted to mean that the poet will survive his death by being remembered after he is gone. However, the full quote goes further to say that his poetry will endure even after he is dead because it came from his mind rather than his body. This distinction is important because it shows that although the physical vessel in which the poet's thoughts are stored may decay, his ideas can never be killed by death. Instead, they will live on after him.
Sonnet 55 is one of several poems in which Shakespeare compares himself to an artist. In this case, he uses art as a metaphor for his poetic craft. Just as artists use their gifts to create works that will live on after them, so too does Shakespeare want readers to remember his poems by writing their own stories about them.
Sonnet 18's imagery includes personified death and strong winds. The poet has even gone so far as to call the buds "darling" (Shakespeare 3). Death supervises "its shadow," which is a metaphor for "afterlife" (Shakespeare 11). All of these behaviors have something to do with people. > span> It is as if Shakespeare were saying that death will pick up where life leaves off.
The sonnets were written between 1593 and 1595. This means that they are new poems, written for someone special. Some people think that they were written for Elizabeth I, but there is no proof of this. They may have been written for someone else too, like Thomas Wyatt or Henry Howard.
Death takes many forms in the sonnets. Sometimes it is a man, sometimes it is a woman. But one thing is certain: death does not play games. It comes for everyone eventually, whether we want it to or not.
In the opening line of the sonnet, Shakespeare says that death covers life with its "shadow." A shadow is what remains after something lights. So here he is saying that death follows life around everywhere it goes.
Then he continues by comparing the flowers to his love. He calls them "buds" and says that they are "dear." These are all words that mean love at first sight.