In sonnet 18, the dilemma is that everything in nature dies. The poet is looking for a wonderful metaphor to compare his love to, but none of the standard metaphors are working. Why? Because everything in nature decomposes eventually, and if it wasn't for reproduction, there would be nothing left of either sonnet 17 or 19 once their objects had died.
The solution is offered by the goddess Venus in person. She tells the poet that just as flowers decay so will his love, but since he has promised to love her forever he should not fear the passage of time because "what decays to earth again becomes earth." In other words, what is born of the soil will one day return there. This idea is known as the doctrine of regeneration and works its way into many other poems, such as Shelley's "Ode to the West Wind".
It's a great solution to the problem at hand, but some modern readers find it difficult to accept because they don't believe in life after death. However, even if you aren't sure about heaven and hell, you have to admit that flowers and trees seem to work hard to grow back next year after they've been cut down. That's certainly evidence that something survives the death of your body.
Furthermore, people can love others even after they die.
Sonnet 18's imagery includes personified death and strong winds. The poet has even gone so far as to call the buds "darling" (Shakespeare 3). Death supervises "its shadow," which is a metaphor for "afterlife" (Shakespeare 11). All of these behaviors are tied to people. When we die, our souls go into "another world," and this idea is reflected in the sonnet's imagery.
The poet has also likened the wind to a murderer. This analogy comes from Proverbs 25:2, where it says, "As charcoal to hot embers, or as salt to sore tongues, so is a gentle rebuke to a wise man." The key word here is "gentle." A rebuke can be harsh or mild depending on how you deliver it. If someone treats you with kindness when they talk to you, that's called a gentle rebuke. The point is that the wind is only doing what it can to destroy since it does not have human feelings. It is trying to be gentle with the plants by blowing them away so they will grow more fruitfully.
Finally, the poet has said that life and death are like two robbers.
/span> Sonnet 18 compares the brief beauty of love to the fleeting nature of life, which is explained by the fact that both objects of love and love itself are mortal. This sonnet also parallels Romeo and Juliet. Just like those two characters, who were in love with each other, they too had only months to live before their deaths. Like many other poems from Shakespeare, this one is very emotional.
William Shakespeare's "Sonnet 18" has a charming, profound attachment to a lover in its tone. The speaker in the poem highlights his admiration for his lover's everlasting beauty, which is comparable to natural beauty. The speaker's poetry will keep the lover alive. In addition, the speaker reveals that he is content with their relationship because they share a special bond that not even time can break.
Shakespeare uses language effectively to create a sonnet. A sonnet is a form of poetry consisting of 14 lines with three quatrains and four tercets. It is usually about love and often contains images relating to nature. Sonnets were popular in England during the Renaissance period. They are considered to be easy to write as they follow a regular pattern that anyone can understand.
In Sonnet 18, Shakespeare writes about how some people look at beautiful things but cannot enjoy them because they think about other things too much. This shows that it is possible to admire something without becoming obsessed with it. It is also possible to have feelings for someone you have never met before or after just seeing them for the first time.
Shakespeare makes use of different words to create a sense of longing in his readers.
Shakespeare illustrates the time versus love issue in Sonnet 18. May's tender buds are vulnerable to the ravages of time. Even the splendor of the summer season does not continue forever. With the passage of time, every natural item succumbs to death and deterioration. Only the poet's loving friend's beauty endures. Through this poetic conceit, Shakespeare implies that even though nature brings on decay, love can overcome time.
Sonnets 1-17 form a sequence about one young man's love for another. They address two questions: How long will my lover love me? And how shall I live without him? The first sonnet answers the former question and the last one the latter. However, since each sonnet ends with the poet asking his lover to marry him, it can be inferred that he wants an immediate response from her. It is possible that she may have rejected his offer previously or perhaps even at this moment but such a decision is beyond our knowledge unless she chooses to reveal it.
In fact, Sonnet 18 is a sequel to Sonnet 17. This means that we should listen to its conclusion before reading further comments on the conflict in sonnet 18.
The poet asks his lover if she remembers how they met. She recalls a day when many others were there to greet him. He was so taken by her appearance that he didn't notice anyone else around.