Each Romantic saw the imagination differently, but they all believed that it could be cultivated by both the mind and nature. They had a deep feeling of nature's unfathomable energies, which both inspired the poet and hinted at the reasons of the world's major transformations. History was for them a continuous stream of events and people worthy of admiration or condemnation depending on their views of humanity.
They also shared a belief that poetry has a unique power to convey emotions and ideas beyond those contained in regular speech. This is why poets are considered important speakers before an audience of one. They seek to move or inspire the listener with their words.
Finally, they all believed that art should aim to improve our condition by giving us pleasure. This idea came from Italy during the Enlightenment era (c. 1660-1770). It was called "la bellezza morale" - or "beauty as virtue". The Romantics took this concept further by including beauty in nature as well.
They also agreed that truth is what works for you, not what someone tells you is true. This comes from John Locke (1632-1704), an English philosopher who proposed this theory of knowledge called "empiricism". According to empiricists, we learn about the world through our senses; therefore, truth can only be known through experience.
To the Romantics, the imagination represented the molding or creative capacity of the human intellect. This was significant to the Romantics since their works were created from the depths of their imaginations. Without the ability to imagine what might be done, there would be no such thing as new art.
Furthermore, the imagination was seen as a gift from God. It was this gift that allowed humans to think beyond their circumstances and reach for more than they ever could alone. Without this gift, we would still be living in the caves of our ancestors.
Finally, the Romantic poets believed that everyone has a great deal of potential power in their imagination. Since the artists of this time could use their powers to create images that influenced others, it follows that those who have faith in themselves can accomplish anything they set their minds to.
Individualism, reverence for the natural world, idealism, physical and emotional intensity, and an interest in the mysterious and supernatural were all nurtured by Romantic poets. Many of the misconceptions about poets and poetry that persist now originated during the romantic era (i.e., the poet as a tortured and melancholy visionary). In fact, early poets were quite pragmatic: they wanted to make money, get married, and improve society.
The main idea behind the romantic movement was that art should be inspired by feelings rather than reason. Poets such as William Wordsworth and Samuel Taylor Coleridge believed that true poetry needed to come from within, not from outside sources such as books or dictionaries. They felt that only those who experienced great emotions could produce meaningful poems that others would want to read.
According to this philosophy, poets should avoid using technical language or logical structures when writing poems. Instead, they should try to convey their messages through images and metaphors. These men hoped that others would understand their poems' meanings after reading them alone, in a state of mind called "inspiration".
Romantic poets also valued simplicity and nature as much as emotion and imagination. They believed that modern civilization had corrupted most people by making them materialistic and hypocritical. Thus, they tried to show that it is possible to live without losing your soul by embracing solitude, giving up violence, and learning to love even animals that are considered evil by other people.
The interaction between humans and their emotions, as well as the natural environment, is a key topic in Romantic poetry. The Romantic writers saw many parallels between our interior lives and the natural world: both might be enigmatic, wide and large, wild and free, and even scary. They also shared many dangers; living in an age of wars and violence, they feared for their lives and those of others.
Romantic poets were interested in how we perceive reality and what influences that perception. Some questioned if what we think we see is really there at all until proven by other people who have different experiences. Others wondered if there are more ways to see things than with our five physical senses. A few even believed that we can hear music when there is no one playing any instruments.
They also wanted to know more about love. What is it? Is it just an emotion? Can you love something other than someone? Does everyone feel the same way? It was all questions without answers for most of history up until that point in time.
During this period, literature became more important than law courts or academic institutions. Writers were usually members of the upper class who had time on their hands because they were not needed in politics or business. This allowed them to experiment with new ideas and feelings without worrying about what effect these might have on their future career prospects.
Romantic poetry is known for its intense emotions.
The Romantics thought that art should be motivated by genuinely felt emotions remembered in peace. They wanted to capture and document inspirational events. Inspiration refers to deep connections with God and environment, as well as times of more than ordinary awareness. These connections can then be reflected upon by the artist.
Romantic artists believed that true beauty could only be achieved through feeling rather than reason. They wanted to free art from the constraints of reality so that it could express everything that was hidden away inside people. This meant that they had to rely on individuals' memories of experiences rather than evidence from the outside world. For example, Joseph Fuseli remembered a scene from a poem when painting his famous "Nightmare" series in 17 ata.
Inspiration has many forms. It can be an idea, a pattern, a relationship. The Romantics were always looking for things that caught their attention and made them feel deeply moved. This may be something seen during a walk or drive along a country road, or even just a vague memory of a smell or taste. When these impressions come into your mind while you are working, it is hard not to record them down on paper or canvas.
In conclusion, the Romantics believed that art should be inspired by feelings rather than logic. This means that they had to look within ourselves instead of outside ourselves for ideas about what to paint.