La Perichole, released in October 1868, showed a shift in Offenbach's approach, with less flamboyant mockery and more human love appeal. Offenbach's "most lovely" score, according to Lamb. There was considerable criticism of the shift, but the piece went well with Schneider in the lead. This success led to four more pieces in similar style: The Dreamer, The Gypsy, The Little Dutch Girl, and The Tales of Hoffmann. These were all successful in their time, though not to the extent of La Perichole.
Offenbach's next opera, Orpheus in the Underworld (1870), which was a return to form for him after La Perichole, is even more ambitious in its scope while still keeping within the family circle of characters. It contains some of his most famous songs, such as "The Rain Song", "Souvenir d'Italie", and "Tales of Hoffmann".
Jacques Offenbach died in 1880 at the age of 36. Although he had many successes during his lifetime, he is now regarded as one of the greatest French composers of all time. His music is popular throughout the world and can be heard in concerts, film scores, and other contexts today.
Roses From The South, a work aiming to evoke pictures of the gorgeous Austrian countryside, does a good job of transporting you away. The piece, which was first performed in 1880, went on to become one of Strauss' most acclaimed compositions and is frequently played by orchestras across Vienna today. It has also been adopted as the theme music for the British television series Sherlock.
Strauss began writing the piece while staying at his country house near Gmunden. He was inspired by a bouquet of flowers that someone had sent him. Although it is now considered his "Opus 1", it took him several years to complete and it was not performed until three years after its completion. Even then, it wasn't an immediate success: some critics accused him of plagiarism since the melody sounded quite similar to that of another young composer's work they called "Stollen".
However, others praised it and it became one of Strauss' most popular pieces. It has been recorded many times over the years by various artists including the Beatles, who included it on their album Sgt. Pepper's Lonely Hearts Club Band.
Today, Roses From The South is regarded as one of Strauss' greatest achievements and is often used as an example of his early style. It still receives frequent performances around the world and is a favorite among amateur musicians too.
Nadar's Jacques Offenbach, around 1860s Jacques Offenbach's 1875 opera-feerie Le Voyage dans la Lune (A Trip to the Moon) has four acts and 23 scenes. The French libretto was written by Albert Vanloo, Eugene Leterrier, and Arnold Mortier and was loosely based on Jules Verne's 1865 novel From the Earth to the Moon. Offenbach composed most of the music between 1872 and 1876 while traveling in Europe. The work was first performed at the Théâtre des Bouffes-Parisiens on 19 February 1877.
Offenbach wrote several other pieces with lunar themes including La Grande Parade (1876), Orphée aux enfers (1879), and Les Aventures du Baron de Münchausen (1881).
Offenbach also composed a ballet called Le Voyage dans la Lune (The Voyage to the Moon) that was first performed at the Paris Opera on 3 November 1877. The one-act piece is scored for solo piano and uses elements from all of Offenbach's major operas including contrapuntal writing, polyrhythms, and dance tunes. In 1998, it was published as part of an album titled The Moon by Various Artists which includes compositions by various artists who have been influenced by Offenbach. This album was produced to celebrate the 150th anniversary of his birth.
Offenbach continued to compose into the 20th century but never regained his former popularity.
Lohengrin, Richard Wagner's Romantic opera, was originally performed in 1850. During the 1840s, Wagner spent a lot of time researching and reading about medieval German folklore, epics, and stories to utilize in one of his own works. He developed several ideas for operas that were never completed or heard by anyone until after his death, one of which was Lohengrin. The work was premiered at the Munich National Theatre on 6 February 1850.
Wagner began writing Lohengrin soon after finishing his fourth symphony. The opera is based on an old legend about a knight who dies saving a princess. Wagner used this story as a basis for creating his own version of events that included a noble hero who saves a queen. Music and drama intertwine throughout the entire work with no intermissions. This allows Wagner to develop the action and plot without interrupting it for an act break or another scene change.
The setting of Lohengrin is the court of the Holy Roman Emperor Henry IV in Germany. The story takes place during the early days of the reign of King Henry VII of England. Lohengrin is a legendary knight who lives at the castle of the king and fights for the honor of a mysterious woman named Elsa. She is the princess of Norway and daughter of the king. One day, Elsa sees someone save her from being stabbed by an arrow while riding through the forest.
The oratorio was written in 1741 to a text compiled by Charles Jennings. It occurred at a period when Handel was not as popular in London as he had been in previous years. He sought a position that would allow him to demonstrate his extraordinary abilities and return to the top of England's cultural heart. However, no such post was available so he decided to compose one himself.
Handel began work on the oratorio in the summer of 1741. The first performance was given by the King's Singers at the Royal Academy of Music on 23 February 1742. The work was a success and this encouraged Handel to continue writing music for it. In the autumn of 1742, he went to Germany where he spent several months working on new pieces for the oratorio. His intention was to present these new works along with the original version during the following London season but this never happened because of some problems with the management of the academy where the concerts were being held.
In the spring of 1743, Handel returned to London where he presented all nine parts of the oratorio within five weeks. This is considered to be a world record for the length of a musical composition. The last part of the work was first performed on 19 April 1743 at the King's Theatre after which it received generally favorable reviews from the critics.