Some people believe that character is more essential than story, although the two are inextricably linked. Plot refers to what occurs to a character or what the character does. To illustrate who or what a character is, the character must behave, which is plot. The plot of a work often includes incidents, events, conversations, and relationships between characters.
In literature, students usually focus on character development before moving on to analysis of plot. However, good writers don't forget about plot. Even when writing about a single character for an entire book, they will never stop developing that person. Instead, they focus on how that character affects the world around them through their actions.
Character is everything in literature. Without good characters, there would be no need for story. You can have the best plot in the world but it means nothing if you're writing about unlikable characters. As Shakespeare said, "The evil that men do lives after them; the good they do lasts only while it's doing good."
All literary works consist of words written by someone. So, they contain information about different things such as history, science, politics, etc. In addition to that, each word also contains meaning beyond the obvious one. A skilled writer knows how to use language to convey ideas that go beyond the simple description of facts.
Plot and character are the most crucial. A tragedy's plot is the most crucial aspect. It is more essential than personality. According to Aristotle, while creating a plot, the playwright must pick a group of events from the greater tale and organize them into a logical sequence, a coherent action. The characters must be real people who have definite motives and who interact with one another according to the rules of logic. In addition, the playwright should try to give each character a strong personality so that readers/viewers can relate to them.
Aristotle also states that although character is important, it is plot which holds the interest of an audience members. If there is no clear conflict between the characters or their actions, then there is no drama and therefore no tragedy. Conflict is what drives a story forward; without it, nothing happens. This conflict may be physical (two people fighting) or moral (one person doing evil things). As long as these conflicts exist between characters on stage, we as an audience will watch them unfold.
Character is important because it helps us understand why certain events happen. We learn about human nature from character. Also, character determines how a person is treated by others and this affects them later in life. For example, someone who is kindhearted but weak will be treated harshly by other people. This person will get hurt easily and won't be able to protect themselves from harm.
Plot. Plot is the most critical ingredient of a narrative, as mentioned in the Creative Nonfiction and Fiction chapters. It is the play's events and the order in which they are told. There is no one method to arrange a play! As an exercise, try writing a short story using only dialogue. You'll need to think up some way for each character to talk about something relevant to the plot.
Characterization. Characterization is the second most important element of drama. It is how we understand (or misunderstand) characters' motives that makes their actions interesting or not. You can learn about characterization from any good book on fiction writing; here are three great ones: James Scott by John Gardner; The Art of Dramatic Writing by Lajos Egri; and Story by Joseph Campbell.
Scene Structure. Scene structure is the third essential component of drama. Without scenes, a play would be like a movie without cuts - it would just drag on forever! A scene is a unit that includes a situation established through action, with defined beginning, middle, and end. Scenarios, underplotting, and subplots all fall under the category of scenes. Think of scenes as the blocks out of which stories are built; without them, there is no story! As you write your own plays, keep this essential part of drama theory in mind.
Why Plot is Irrelevant versus Character aka Character is Plot Most authors do not begin with both the character and the storyline when developing a tale concept. They start with a character and a need to advance the story, then they create an outline or script that tells what happens next in the narrative.
They begin with character because it is one of the most important elements in writing fiction. Without well-developed characters, stories are nothing more than lists of events. You can write about any topic you like but unless you have someone to tell about it, how interesting can it be?
Characters must come first because they are who readers will connect with on some level. Whether they are heroes or villains, people will find them engaging if they understand their motivations behind their actions.
Furthermore, well-defined characters allow writers to develop memorable scenes. The best scenes are always between characters who have something at stake, whether it's love or revenge - or both. Such moments require careful planning because writers don't want to overplay their hand; they don't want to make the reader feel too much for one character against another. But without these moments of tension and conflict, stories become mere collections of events rather than exciting tales worth telling.
The most crucial aspect of your plot is the cast of characters. While plot is important, setting is important, point of view is important, and theme is important, no tale aspect is more important than character. Your story's characters are the driving force. Your storyline is created and advanced by your characters. They reveal themselves to you through their actions, not through any written description you may provide.
Characters must be interesting. That is all you need to know to start writing about them. Interest can be aroused by any number of factors: by the nature of the character (e.g., heroic characters are usually interesting), by specific details associated with the character (such as his or her favorite food), or simply because they are human beings who do interesting things. The only requirement for interest is that it must exist. You cannot expect readers to be interested in characters if you do not find them engaging yourself.
Once you have an idea of who your main characters are, think about how they differ from each other. Are there traits that make them similar? What are their goals? What obstacles do they face? Only after you understand these basic concepts can you start writing about your story.
There is no correct or incorrect response. Many authors make the mistake of prioritizing characterisation over story, yet neither is superior. It's dull to have a great character who has nothing to do and no conflict to develop. He considered the storyline to be far more significant than the people in a novel. I would say that both aspects are equally important.
Book characters can be as strong or powerful as any other character in the story. They just have to serve the story. If they weren't interesting or vibrant, we wouldn't spend time with them. As for the main character, he/she should grow and change through the course of the story.
An author can only do so much to bring life to her characters. We are limited by language, psychology, and history. Sometimes I think writers get obsessed with their characters, but it's not a bad thing - it's what makes them rich and full-featured people worth reading about.
Characters are always stronger than the plot. The plot can be strong or weak, but never stronger than the characters. A good plot is all about tension and surprise; a good character is all about emotion and truth. These two things are what make a story great or terrible; without one you don't have the other.