In the poem "Keeping Quiet," the poet counts up to twelve because this amount of time allows everyone to relax and prepare for the narrative. Twelve is the number of months in a calendar year, and twelve may also refer to midnight, when a new day begins, therefore it can be used to represent a fresh beginning in this context.
The first line of the poem contains another common symbolism associated with silence: "No one ever kept quiet for long." The word silent here means "dead". This refers to how quickly people talk about others behind their backs. No one ever keeps a secret for long because they are usually found out.
So the poet is telling us not to be like people who gossip about others; instead, we should keep our thoughts to ourselves. It's important not to spread negative ideas about others. Instead, we should try to understand why they do what they do.
Some scholars believe that the counting up to twelve in this poem has something to do with fertility. They think that if you count forward from seven until three then 7+7+1=17 which is a prime number (a number that cannot be divided by two without leaving remainders). Fertility symbols often have a connection with numbers such as seventeen and twenty-two. However, this interpretation is not confirmed by any other scholar so it remains just a suggestion.
(b) By counting up to twelve, the poet hopes to find calm. In a moment of stillness, he wants us to reflect. Quietness does not imply inactivity. It implies that we should refrain from engaging in any behaviors that harm the environment and, as a result, ourselves. For example, if you are walking down the street and hear someone yell, you should stop what you are doing and avoid violence by refusing to fight back or retaliate against the person who yelled. This is what it means to keep quiet in order to be quiet.
In "The Rime of the Ancient Mariner", the ancient mariner tries to achieve calm by counting up to twelve before he speaks. He wants to give himself time to think about what he is going to say before he says it. If he spoke too soon after beginning the count, he might shout for joy or anger and not be able to stop himself. If he waited too long, he would go crazy from the silence. By balancing on the edge between speech and silence, he is able to maintain some degree of control over his emotions.
Counting up to twelve is also used today when people want to appear calm and in control even though they are not. For example, if you see someone who looks like they are about to have a panic attack, you might tell them to count backwards from twelve to one until their anxiety subsides enough for them to continue with their day.
Answer The poet is implying that we should pause all of our pursuits for a few seconds and engage in some reflection. During this seeming calm, this will foster a sense of global brotherhood and resemblance. After counting back from twelve, the poet intends us to start back up with our daily activities.
(b) The clock only has twelve hour indications. As a result, the poet instructs us to count until the clock measures these horns. (c) As a result of excessive activity and hurry, humanity has suffered. As a result, it is preferable to stay quiet and motionless. Only then will we be able to hear what is important - the silence within ourselves and around us.
The number 12 has many meanings for us today. It can be used in astrology to describe a person who is rational and logical, like the number itself. Or it can mean that something is complete - a year is divided into four seasons - spring, summer, winter, and fall. And each season has its own characteristics which make up the whole picture. There is hope for everything that begins with a "1" and ends in "0", including computers which function on binary lines: true or false. A piece of music, a photograph, a web page - everything is either "on" or "off". A circuit is closed or not depending on the presence or absence of electricity. Mathematics is based on logic - there are only two possibilities for every statement, yes or no.
In religion, 12 is an important number because it represents the number of disciples that Jesus had when he was crucified. It's also used in Judaism to denote years since Israel was freed from Egypt through the Exodus.
As someone who has organized and attended many poetry readings and open mics, I can tell you that there are typically more individuals who want to read than there is time to read, thus there is usually a time restriction of roughly five minutes (or a one-poem limit, which usually works out to 3-5 minutes). This means that most poems read at these events are actually short stories or quick sketches with a poetic ending.
Spoken word poems are just like any other poem: they consist of lines consisting of syllables, but instead of being written down on a page, they are spoken aloud. Thus, they are "spoken" poems. Spoken word poems are a great way for an audience to hear what poems are like before they decide to read them. They're also a good way for poets to show their audiences what kind of poems they write.
Spoken word poems are common at poetry slams and similar events where the last poet standing wins some prize money. These poems are often very political or provocative, so they make for great entertainment while raising awareness about different issues.
In conclusion, spoken word poems are just like any other type of poem: they can be any length. Some poets may only have time to read a short story or sketch, but others may spend several minutes reading a longer piece. It's up to the poet when they start the poem and how long they want it to end up being.
A stanza is a set of lines that make up a poem's basic metrical unit. So, in a 12-line poem, the first four lines may be considered a stanza. A stanza can be identified by the number of lines it contains as well as its rhyme scheme or pattern, such as A-B-A-B. The term "stanza" comes from Italian and means "a standing" or "an arrangement". Although English poets often group their poems into parts called stanzas, they are not required to do so.
Numbering stanzas is useful for reference purposes because different poets use different numbers for their stanzas. It also allows readers to more easily compare two different poems' structure and content.
Poets usually number their stanzas in order to help them maintain a consistent rhythm and tone throughout their work. This is especially important when using free verse, which does not follow a strict formal structure. Free-verse poems are commonly divided into sections called "camps", with each camp containing a similar number of lines.
Some poets include a line numbering system in their work to further interpret their poems' structure. For example, Robert Frost used numbers next to certain words in some of his poems to indicate the relationship between those words in the sequence. "Three heavy trucks go over the bridge every day at three different times" he wrote in "Mending Wall".